Adjoa Andoh
Author
Series
Poseidon's children volume 2
Language
English
Description
"The award-winning author of Blue Remembered Earth continues his saga as the next generation of the Akinya family crosses interstellar space seeking humanity's future Chiku Akinya, great granddaughter of the legendary space explorer Eunice and heir to the family empire, is just one among millions on a long one way journey towards a planet they hope to call their new home. For Chiku, the journey is a personal one, undertaken to ensure that the Akinya...
Author
Language
English
Description
"A visceral space thriller--perfect for fans of Arrival and The Martian--following the sole survivor of a catastrophic accident in space that leaves her drifting in the void with only the voice of her estranged husband, a NASA scientist, to guide her back to Earth"--
Author
Language
English
Appears on these lists
Description
On the eve of her wedding, a young queen sets out to rescue a princess from an enchantment. She casts aside her fine wedding clothes, takes her chain mail and her sword and follows her brave dwarf retainers into the tunnels under the mountain towards the sleeping kingdom.
24) Dolphin song
Author
Series
Legend of the animal healer volume 2
Language
English
Formats
Description
A second prophesy, this time involving dolphins, comes true for eleven-year-old Martine, an orphaned South African girl who has mystical powers over animals, when she embarks on a school trip to study marine life off the coast of Mozambique.
Author
Series
Language
English
Appears on these lists
Fantasy for Those Who Don't Like Fantasy (SCPL)
Great Books, Great Adaptations
If You Liked The Sandman
More Lists...
Great Books, Great Adaptations
If You Liked The Sandman
More Lists...
Formats
Description
The world is preparing to come to an end according to the Divine Plan recorded in the Nice and Accurate Prophecies of Agnes Nutter, Witch (recorded 1655). Meanwhile, a fussy angel and a fast-living demon have grown fond of living among the earth's mortals for many millennia and are not looking forward to the apocalypse. If Crowley and Aziraphale are going to stop it from happening, they must find and kill the Antichrist.
26) Invictus
Language
English
Appears on list
Description
In 1994, having been released from his long imprisonment, Nelson Mandela is elected as the first president of post-apartheid South Africa. Racial tension runs high, even in the president's offices, and especially among the members of his half black, half Afrikaner security team. As hosts of the 1995 Rugby World Cup, South Africa's low ranked national team, the Springboks, have a berth in the tournament. Mandela begins makeing public appearances supporting...
27) Episode 4
Language
English
Description
09 STAGING: Scene staging is an element of film form pointing clearly to cinema’s origin – theatre. Kinuyo Tanaka in The Moon Has Risen uses staging to shape the scene’s invisible geometry, accentuating the tension between characters. Maren Ade in Toni Erdmann stages the scene through depth, facilitating the tragicomic punchline. And in Maria Schrader’s Stefan Zweig: A Farewell to Europe, the criss-crossing complex staging in the final scene...
28) Episode 9
Language
English
Description
23 POLITICS: Another aspect of everyday life. From silent cinema to the 21 st Century, movies from the visually astonishing The Enchanted Desna to Divorce Iranian Style to Bigelow’s Strange Days have gained their energy and attack from their politics. 24 GEAR CHANGE: We like to be taken by surprise in films. This short chapter, narrated by Sharmila Tagore, looks at such surprises. 25 COMEDY: Is comedy universal? Who have been the great comedy filmmakers...
29) Episode 3
Language
English
Description
06 CONVERSATION: A basic human interaction – how to make it cinematic? Angela Schanelec directs us to focus on body language in Places in Cities, Cecile Tang uses the zoom as guide through the emotional shifts in The Arch, and Sofia Coppola in The Virgin Suicides shows us an unspoken conversation through division with songs and split screens telling a story of impossible longing. 07 FRAMING: Frames describe and paint the scenes. They can make sport...
30) Episode 6
Language
English
Description
15 POV: Is cinema the art of point of view? Jocelyn Moorhouse, Ida Lupino, Norway’s Edith Carlmar, Sofia Coppola, Italy’s Liliana Cavani, Kelly Reichart, the great Larisa Shepitko, Jennifer Kent and other great directors demonstrate the art of POV in films. 16 CLOSE UP: If close ups give movies their intensity, films from Belgium, Hungary, Australia, Finland, China, America, France, Germany and Ukraine, shot over ten decades, show how best to...
31) Episode 7
Language
English
Description
18 BODIES: Bodies in cinema can be enticing, dancing or brutalised. Jane Fonda narrates this chapter about how the great directors—including Agnes Varda, Andrea Arnold, Iran’s Marva Nabili, Finland’s Pirjo Honkasalo, Marta Meszaros and Poland’s Wanda Jakubowska—have filmed bodies. 19 SEX: From bodies to sex – the most controversial aspect of film. In this chapter Diane Kurys, Lucile Hadzihalilovic, Jamie Babbit, Safi Faye, Athena Rachel...
32) Episode 13
Language
English
Description
35 LIFE INSIDE: Novels are great at describing thoughts, but how do films do so? In this chapter, we see how great directors from France, Ukraine, the UK, America, New Zealand and Algeria used time in their movies. 36 THE MEANING OF LIFE: In the last chapters of our story, we look at the biggest things in life. Here we see how great filmmakers across the world, and from many decades, try to getto the essence of life. 37 LOVE: Movies soar with love,...
33) Women Make Film
Language
English
Description
WOMEN MAKE FILM is an epic exploration of cinema history through the lens of some the world’s greatest directors – all women. Official Selection at the **Venice Film Festival**, **Toronto International Film Festival**, and **Telluride Film Festival**.
34) Episode 5
Language
English
Description
12 ADULT/CHILD: The famous movie genres – war pictures, westerns, etc – are about adults, but in this chapter Jane Fonda narrates the story of 18 films about children in film, from Germany, Belgium, Mongolia, Sweden, Russia, Canada, Senegal, Argentina and Scotland. 13 ECONOMY: We’ve all seen overblown films, but what are the visual and story lessons we can learn from Claire Denis, Maria Louisa Memberg, Kinuyo Tanaka, Agnes Varda, Valeska Grisbach...
35) Episode 2
Language
English
Description
03 BELIEVIBILITY: Easy to spot, but not so easy to understand. Believability is about simple human stories, truth about life, real emotions, responding to the world. Howdo directors create a reality without it feeling fake? True stories can help, but what’s the trick? Here are some answers, with a masterclass in believability from Lois Weber’s The Blot to Maren Ade’s Toni Erdmann. 04 INTRODUCING CHARACTER: Going to a house, overhearing people,...
36) Episode 8
Language
English
Description
20 HOME: Refuge, shelter, or prison? Sharmila Tagore narrates the story of home on screen in the great films of Edith Carlmar, Lynne Ramsay, Mai Zetterling, Liu Jiay-in, Forough Farrokhzad, Antonia Bird and others. 21 RELIGION: Narrator Sharmila Tagore takes us on a global tourof great films about religion. We start in America in the 1910s, go to Sri Lanka in the 70s, and dip into thework of Lucretia Martel, Jessica Hausner and Marjane Satrapi. 22...
37) Episode 12
Language
English
Description
32 REVEAL: Paired with chapter 31, is this one, it’s opposite. How does Lynne Ramsay do a reveal in Morven Caller? How does the great actor-director Kinuyo Tanaka? Or Sarah Polley? Or Italy’s Alice Rohrwacher? 33 MEMORY: As cinema is a kind of time machine, it’s no surprise that it’s great at memory. In this chapter we look at rare movie gems about memory directed by filmmakers including Petra Costa, Greece’s Maria Plytya, Poland’s Dorota...
38) Episode 1
Language
English
Description
01 OPENINGS: With examples from 1943 to 2013, from China to Iran, Australia to Finland, we look at how to open a film: from mysterious, direct, floating, foreboding to plunging straight in. All are instructive in how to create an immediate world. Learning from example. 02 TONE: What’s the tone of a film – not its story or theme, but what its world feels like? Back to Hollywood and director Dorothy Arzner with Merrily We Go to Hell and its glamorous...
39) Episode 11
Language
English
Description
29 TENSION: Thrillers, but much more. We look at gripping scenes in films as diverse as Joel DeMott’s documentary Demon Lover Diary, Kathryn Bigelow’s Blue Steel, Carol Morley’s Dreams of A Life, Mimi Leder’s Peacemaker, and Marleen Gorris’ remarkable A Question of Silence. 30 STASIS: Cinema is an action art, isn’t it? Or is it? Directors Angela Schanelec, Anouk Leopold, Kira Muratova, Chantal Akerman, Sharon Lockhart, and Pakistan’s...
40) Episode 14
Language
English
Description
38 DEATH: The biggest subject in life, the most universal subject –no wonder that Japan’s Kinuyo Tanaka, Canada’s Caroline Leaf, Spain’s Ana Mariscal, Holland’s Paula Van der Oest and other great filmmakers in this chapter embrace it. 39 ENDINGS: We begin to end our epic road movie withfilms from Sonja Heiss, Larisa Shepitko, Ida Lupino, Lizzie Borden, Claire Denis and Maya Deren. 40 SONG AND DANCE: End with a song, they say, so our story...