Ain't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy
(eAudiobook)

Book Cover
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Published
Tantor Media, Inc., 2022.
ISBN
9781666168594
Status
Available Online

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Physical Description
8h 43m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Kevin Allred., Kevin Allred|AUTHOR., & Erik Bloomquist|READER. (2022). Ain't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kevin Allred, Kevin Allred|AUTHOR and Erik Bloomquist|READER. 2022. Ain't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kevin Allred, Kevin Allred|AUTHOR and Erik Bloomquist|READER. Ain't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy Tantor Media, Inc, 2022.

MLA Citation, 9th Edition (style guide)

Kevin Allred, Kevin Allred|AUTHOR, and Erik Bloomquist|READER. Ain't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy Tantor Media, Inc., 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa5850a48-a456-2acf-9d40-173574ef1d27-eng
Full titleain t i a diva beyoncé and the power of pop culture pedagogy
Authorallred kevin
Grouping Categorybook
Last Update2024-04-18 22:02:38PM
Last Indexed2024-04-19 04:17:27AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2023
Last UsedAug 16, 2023

Hoopla Extract Information

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    [synopsis] => A pedagogical primer on integrating Black feminist thought, critical race studies, and America's most beloved pop star.

In 2010-long before the release of Lemonade-Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes. Topics range from a capitalist critique of "Run the World (Girls)" to the politics of self-care found in "Flawless", Beyonce's art is read alongside Black feminist thinkers, including Kimberle Crenshaw, Octavia Butler, and Sojourner Truth.

Interrogating the entertainer's career through a media studies lens, Allred attests that pop culture is so much more than a guilty pleasure-it's an access point for education, entertainment, critical inquiry, and politics.
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