Bookends: Collected Intros and Outros
(eBook)

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Published
Harper Collins Publishers, 2019.
ISBN
9780062851307
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Michael Chabon., & Michael Chabon|AUTHOR. (2019). Bookends: Collected Intros and Outros . Harper Collins Publishers.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michael Chabon and Michael Chabon|AUTHOR. 2019. Bookends: Collected Intros and Outros. Harper Collins Publishers.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michael Chabon and Michael Chabon|AUTHOR. Bookends: Collected Intros and Outros Harper Collins Publishers, 2019.

MLA Citation, 9th Edition (style guide)

Michael Chabon, and Michael Chabon|AUTHOR. Bookends: Collected Intros and Outros Harper Collins Publishers, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa3fb1e80-fda6-8015-5006-df0af8cb294b-eng
Full titlebookends collected intros and outros
Authorchabon michael
Grouping Categorybook
Last Update2024-04-18 22:02:38PM
Last Indexed2024-04-19 04:01:59AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 29, 2023
Last UsedFeb 22, 2024

Hoopla Extract Information

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    [synopsis] => A brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon.

In Bookends, Pulitzer Prize winning author Michael Chabon offers a compilation of pieces about literature-age-old classics as well as his own-that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading. Chabon asks why anyone would write an introduction, or for that matter, read one. His own daughter Rose prefers to skip them. Chabon's answer is simple and simultaneously profound: "a hope of bringing pleasure for the reader." Likewise, afterwords-they are all about shared pleasure, about the "pure love" of a work of art that has inspired, awakened, transformed the reader. Ultimately, this thought-provoking compendium is a series of love letters and thank-you notes, unified by the simple theme of the shared pleasure of discovery, whether it's the boyhood revelation of the most important story in Chabon's life (Ray Bradbury's "The Rocket Man"); a celebration of "the greatest literary cartographer of the planet Mars" (Edgar Rice Burroughs, with his character John Carter); a reintroduction to a forgotten master of ghost stories (M. R. James, ironically "the happiest of men"); the recognition that the worlds of Wes Anderson's films are reassembled scale models of our own broken reality (as is all art); Chabon's own rude awakening from the muse as he writes his debut novel, The Mysteries of Pittsburgh; or a playful parody of lyrical interpretation in the liner notes for Mark Ronson's Uptown Special, the true purpose of which, Chabon insists, is to "spread the gospel of sensible automotive safety and maintenance practices." Galaxies away from academic or didactic, Bookends celebrates wonder-and like the copy of The Phantom Tollbooth handed to young Michael by a friend of his father he never saw again-it is a treasured gift.
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