I Lost My Girlish Laughter
(eAudiobook)

Book Cover
Average Rating
Author
Published
Tantor Media, Inc., 2020.
ISBN
9781705217498
Status
Available Online

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Physical Description
5h 34m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Jane Allen., Jane Allen|AUTHOR., & Amy Rubinate|READER. (2020). I Lost My Girlish Laughter . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jane Allen, Jane Allen|AUTHOR and Amy Rubinate|READER. 2020. I Lost My Girlish Laughter. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jane Allen, Jane Allen|AUTHOR and Amy Rubinate|READER. I Lost My Girlish Laughter Tantor Media, Inc, 2020.

MLA Citation, 9th Edition (style guide)

Jane Allen, Jane Allen|AUTHOR, and Amy Rubinate|READER. I Lost My Girlish Laughter Tantor Media, Inc., 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID94c285e2-6159-7ee4-2f64-69f0963a8612-eng
Full titlei lost my girlish laughter
Authorallen jane
Grouping Categorybook
Last Update2024-04-18 05:58:14AM
Last Indexed2024-04-18 12:11:19PM

Book Cover Information

Image Sourcehoopla
First LoadedAug 9, 2023
Last UsedAug 9, 2023

Hoopla Extract Information

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    [synopsis] => A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.

Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.

The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
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