Rap on Trial: Race, Lyrics, and Guilt in America
(eBook)

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Published
The New Press, 2019.
ISBN
9781620973417
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Erik Nielson., & Erik Nielson|AUTHOR. (2019). Rap on Trial: Race, Lyrics, and Guilt in America . The New Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Erik Nielson and Erik Nielson|AUTHOR. 2019. Rap On Trial: Race, Lyrics, and Guilt in America. The New Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Erik Nielson and Erik Nielson|AUTHOR. Rap On Trial: Race, Lyrics, and Guilt in America The New Press, 2019.

MLA Citation, 9th Edition (style guide)

Erik Nielson, and Erik Nielson|AUTHOR. Rap On Trial: Race, Lyrics, and Guilt in America The New Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDff94efb6-8ee8-d302-1e61-8d1fc5dcfc83-eng
Full titlerap on trial race lyrics and guilt in america
Authornielson erik
Grouping Categorybook
Last Update2024-04-18 22:02:38PM
Last Indexed2024-04-19 06:40:23AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 26, 2024
Last UsedMar 26, 2024

Hoopla Extract Information

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    [synopsis] => A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color 
 
Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. 
 
Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive-and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. 
 
Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.
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