The Painted Rocks at Revolver Creek
(eBook)

Book Cover
Average Rating
Published
Theatre Communications Group, 2018.
ISBN
9781559368483
Status
Available Online

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Format
eBook
Language
English

Citations

APA Citation, 7th Edition (style guide)

Athol Fugard., & Athol Fugard|AUTHOR. (2018). The Painted Rocks at Revolver Creek . Theatre Communications Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Athol Fugard and Athol Fugard|AUTHOR. 2018. The Painted Rocks At Revolver Creek. Theatre Communications Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Athol Fugard and Athol Fugard|AUTHOR. The Painted Rocks At Revolver Creek Theatre Communications Group, 2018.

MLA Citation, 9th Edition (style guide)

Athol Fugard, and Athol Fugard|AUTHOR. The Painted Rocks At Revolver Creek Theatre Communications Group, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID29ce2bbd-a263-01d9-f389-4e2621785610-eng
Full titlepainted rocks at revolver creek
Authorfugard athol
Grouping Categorybook
Last Update2024-04-04 09:27:41AM
Last Indexed2024-04-21 00:31:48AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 12, 2024
Last UsedMar 12, 2024

Hoopla Extract Information

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    [synopsis] => A touching portrayal of compassion passed down through two generations in a racially-torn continent, Athol Fugard's latest play centers around Nukain and Bokkie, an elderly African painter and his young protégé. The Painted Rocks at Revolver Creek observes two differing experiences with racism, in the decades during and following apartheid, while ultimately illuminating the meaning of preserving the history of one's own past. Within the span of his illustrious and widely-lauded work as a playwright, Athol Fugard has shed light on the looming shadow of apartheid and its resulting dissolution of society and politics in South Africa. This contemplative new work follows that legacy, asking us not to forget its relevance in the modern day. Athol Fugard has been working in the theatre as a playwright, director and actor for more than fifty years. His plays include The Shadow of the Hummingbird, Blood Knot, Boesman and Lena, Statements after an Arrest under the Immorality Act, Sizwe Banzi Is Dead, 'Master Harold', and the Boys, The Road to Mecca, My Children! My Africa!, The Blue Iris, The Train Driver, and more than a dozen others.
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