Southern History Across the Color Line
(eBook)

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Published
The University of North Carolina Press, 2013.
ISBN
9781469610993
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Nell Irvin Painter., & Nell Irvin Painter|AUTHOR. (2013). Southern History Across the Color Line . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Nell Irvin Painter and Nell Irvin Painter|AUTHOR. 2013. Southern History Across the Color Line. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Nell Irvin Painter and Nell Irvin Painter|AUTHOR. Southern History Across the Color Line The University of North Carolina Press, 2013.

MLA Citation, 9th Edition (style guide)

Nell Irvin Painter, and Nell Irvin Painter|AUTHOR. Southern History Across the Color Line The University of North Carolina Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3241643c-1bcf-4180-059f-8b146a0f8e8f-eng
Full titlesouthern history across the color line
Authorpainter nell irvin
Grouping Categorybook
Last Update2024-03-20 23:01:07PM
Last Indexed2024-04-18 00:24:42AM

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Image Sourcehoopla
First LoadedFeb 22, 2024
Last UsedFeb 22, 2024

Hoopla Extract Information

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    [synopsis] => The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, historians often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. Through six essays, she explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. At once pioneering and reflective, the book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. It will inspire and guide a new generation of historians who take her goal of transcending the color bar as their own.
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