A Bed of Scorpions
(eAudiobook)

Book Cover
Average Rating
Published
HighBridge, 2016.
ISBN
9781622319282
Status
Available Online

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Physical Description
8h 55m 0s
Format
eAudiobook
Language
English

Citations

APA Citation, 7th Edition (style guide)

Judith Flanders., Judith Flanders|AUTHOR., & Susan Duerden|READER. (2016). A Bed of Scorpions . HighBridge.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Judith Flanders, Judith Flanders|AUTHOR and Susan Duerden|READER. 2016. A Bed of Scorpions. HighBridge.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Judith Flanders, Judith Flanders|AUTHOR and Susan Duerden|READER. A Bed of Scorpions HighBridge, 2016.

MLA Citation, 9th Edition (style guide)

Judith Flanders, Judith Flanders|AUTHOR, and Susan Duerden|READER. A Bed of Scorpions HighBridge, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDc1b1431a-971f-23a1-1d52-dea9a45fb979-eng
Full titlebed of scorpions
Authorflanders judith
Grouping Categorybook
Last Update2024-04-25 05:12:14AM
Last Indexed2024-04-25 07:52:08AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 17, 2022
Last UsedMay 23, 2022

Hoopla Extract Information

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    [synopsis] => What's an editor to do with so many demands? Do you deal with the morning's pile of manuscript submissions first? Or the swine from sales who steals all the chocolate digestives? Or do you concentrate on your ex-lover, whose business partner has just been found dead in their art gallery, slumped over his desk with a gun in his hand? It's another day at Timmins & Ross publishing house, but when sharp-tongued editor Samantha Clair's CID boyfriend is brought in to investigate Frank Compton's death, her loyalties become stretched. And when one of Aidan Merriam's artists is found dead in identical circumstances, Sam takes on the art world and the CID, armed with nothing more than her reliable weapons: satire, cynicism and a stock of irrelevant information culled from novels.
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