Underfoot In Show Business
(eBook)

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Average Rating
Published
Golden Springs Publishing, 2015.
ISBN
9781786256188
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Helene Hanff., & Helene Hanff|AUTHOR. (2015). Underfoot In Show Business . Golden Springs Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Helene Hanff and Helene Hanff|AUTHOR. 2015. Underfoot In Show Business. Golden Springs Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Helene Hanff and Helene Hanff|AUTHOR. Underfoot In Show Business Golden Springs Publishing, 2015.

MLA Citation, 9th Edition (style guide)

Helene Hanff, and Helene Hanff|AUTHOR. Underfoot In Show Business Golden Springs Publishing, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID73c5029a-aa1f-203c-6f71-4e6b0849d036-eng
Full titleunderfoot in show business
Authorhanff helene
Grouping Categorybook
Last Update2024-03-29 09:20:58AM
Last Indexed2024-04-21 02:52:45AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 11, 2023
Last UsedJan 20, 2024

Hoopla Extract Information

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    [synopsis] => In her spirited, witty and vastly entertaining memoir, Helene Hanff recalls her ingenuous attempts to crash Broadway in the early forties as one of "the other 999." Naive, nearsighted, frequently penniless but hopelessly stage-struck, she found her life governed by Flanagan's Law: "No matter what happens to you, it's unexpected." Therefore, as a prize-winning Theatre Guild protégée with a brilliant future, Helene naturally found that all the producers who were going to produce her plays didn't, and all the agents who were going to sell her plays couldn't. Together with her best friend Maxine, an aspiring actress consigned to playing the comedy-ingénue in plays that regularly folded after five performances, she cultivated the "delicate, illegal art of getting everything for nothing"-from free seats to every Broadway show and neighborhood movie and borrowed outfits from Saks to voice lessons for Maxine and Greek lessons for Helene. To keep body and soul together until Broadway fame arrived, they devised an economic survival system that embraced such unlikely jobs as taking street-corner.
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