Faces in the Crowd
(eAudiobook)

Book Cover
Average Rating
Published
Blackstone Publishing, 2014.
ISBN
9781982494193
Status
Available Online

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Physical Description
5h 3m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Valeria Luiselli., Valeria Luiselli|AUTHOR., Armando Duran|READER., & Roxanne Hernandez|READER. (2014). Faces in the Crowd . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Valeria Luiselli et al.. 2014. Faces in the Crowd. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Valeria Luiselli et al.. Faces in the Crowd Blackstone Publishing, 2014.

MLA Citation, 9th Edition (style guide)

Valeria Luiselli, Valeria Luiselli|AUTHOR, Armando Duran|READER, and Roxanne Hernandez|READER. Faces in the Crowd Blackstone Publishing, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID878ea378-3c1e-a0c2-b13f-1ff06c7158ad-eng
Full titlefaces in the crowd
Authorluiselli valeria
Grouping Categorybook
Last Update2024-04-18 22:02:38PM
Last Indexed2024-04-19 03:11:01AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 23, 2023
Last UsedMar 25, 2024

Hoopla Extract Information

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    [synopsis] => A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways.  Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before; his friendships with Nella Larsen and Federico García Lorca; and the young woman in a red coat he saw in the windows of passing trains. As the voices of the narrators overlap and merge, they drift into one single stream, an elegiac evocation of love and loss.

Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction.
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