Ernest Hemingway
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The last novel Ernest Hemingway saw published, The Old Man and the Sea has proved itself to be one of the enduring works of American fiction. It is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal: a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Using the simple, powerful language of a fable, Hemingway takes the timeless themes of courage in the face of defeat and personal triumph won from...
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" ... [B]oy meets girl, boy gets girl, boy loses girl. Ernest Hemingway conveyed this story chronologically, in a strictly linear fashion, with no flashback scenes whatsoever. In fact, the novel contains very little exposition at all. We never learn exactly where its narrator and protagonist, the American ambulance driver Frederic Henry, came from, or why he enlisted in the Italian army to begin with. (For that matter, we read chapter after chapter...
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"The Snows of Kilimanjaro and Other Stories contains ten of Hemingway's most acclaimed and popular works of short fiction...Beautiful in their simplicity, startling in their originality, and unsurpassed in their craftsmanship, the stories in this volume highlight one of America's masterstorytellers at the top of his form." -- back cover.
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Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris...
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World-weary Harry Morgan is not about to help the Free French. But he and his sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. Since WWII is raging all around them, business is not what it could be and after a customer who owes them a large sum fails to pay they are forced to violate their preferred neutrality and to take a job for the French resistance transporting a fugitive on the run from the Nazis to...
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Criterion collection volume 176
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English
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Ernest Hemingway's simple but gripping short tale is a model of economical storytelling. Two directors adapted it into unforgettably virile features: that was intended for television but deemed too violent for home audiences and released theatrically instead. The first is poetic and shadowy, the second direct and harsh as daylight, but both get at the heart of Hemingway's existential classic.